Видео

I thought this is about fixing hum on the pedalboard, not hum on multiple amps?

Im planning to purchase this for my mono lite pedalboard. Thoughts?

Great video, I usually run two boosts. One at the beggining to push my overdrive pedals (from clean to "edge of breakup") and at the end for a bit more volume and mid boost during solos.

If they had a headphone out I would buy one immediately. Oh, and USB-C also.

I can’t find a clear resource online to determine if a single pedal can control volume then switch to expression without re wiring 😬🤷🏽‍♂️.

I think it should be mentioned, that for this to work, you need a cable from the SEND (side output) to your desk. That will be the dry mono signal. The main outs L/R to the desk will be the stereo effects.

Hi!! Can I buy any midi controller and my Iridium will read it? Thanks for the video is very complete!

How do you delay one amp by 4ms?

Good stuff boys!

If you wanted to use the send L/R you’d need a Y cable?

Where are the extra four XLR inputs that aren't plugged into the X32 coming from?

I am a little confused about the demo since i do see what it seems to be an IO interface underneath the board under the H9, but I thought the switcher has in and out buffers. So were you double buffering on the video? Were the buffers from the switcher not in use? Also the way the volume pedal was hooked up to the board. Was vol pedal hooked up as a vol pedal as an Expression and all volume control was done inside the switcher itself? Thanks!

Midi mod ?

I run my wet fx before my dual amps and the amps cancel out the panning of my pingpong delay. Is there anything I have done wrong?

When you see much pedals, you can bet, the Guy plays nothing. More pedals, less playing. Fact in life. Go metal. 🤘😡🤘

I wish you would have just indicated this KILLLER Custom Junction is your “Wet Dry Wet” that can be had with optional (nearly +$300) 3x Balanced L/R Dry outputs. It took me an hour of scouring the interwebs to find you guys and parse the various “custom junctions”! I’m GOING to get one as soon as I can tighten my asshole drawstrings enough to not shit myself forking over nearly $800 for this box (cuz I’m an addict and a freak for gear)… but y’all COULD’a just indicated in your effYoogleTube Short that this box is the “Wet Dry Wet”!.. though I AM grateful you guys make WAYYY better pedals than your online marketing team makes Shorts!!! 👏👏👏👏👏👏👏😆

I need a clean pedalboard

Great explanation. I am torally sold but now have to decide which one!

I have both an effects loop and pre amp/ power amp in/out too. Which one is better or the same? For noise gate and delay. Distortion from pre amp.

Helpful-thanks!

I use the boss GE7 as a leadboost with a fourth method. At the end of the chain on my fx loop. Soundwise it works perfectly. It reacts very sensitive to every nuance. When I put it right after my gain stages the difference is just slightly or minimal. Not enough increase of volume imho. So for me the boost n the fx loop works best. BUT: for some reason my delay trails become too dirty then, and I haven’t figured out a way to get around this. What would be your suggestion ?

So Quad Cortex can be powered properly with 12V 2A provided by Cioks Crux even the input on Quad Cortex says 12v 3A?

What is a good product to have one expression pedal be able to control multiple pedals?

Do you have a video going in depth?

Thanks so much, this was fantastic! I recently bought a PBC/6X and haven't set it up yet, as I've been trying to figure out how I want to arrange everything (well, that and I do not typically bond at all with tech!). That's when I began thinking about eliminating some analog pedals and bringing in a multi effect unit that I could control with the PBC via midi. But man, has it been an overwhelming learning process! Still trying to figure out exactly how to proceed, but this was a really helpful and clear video...and I have now subscribed! Thank you!

Great review! Would the Crux work with my Headrush Core that has a positive center 12v 3.0A DC IN?

I'm surprised how little difference there is...now I'm dying to try reverb into drives!! ;)

Great explanation, graphics and audio examples. One question remains for me. I checked the Interfacer splitter box and it is not cheap for me. Does an ABY splitter box degrade the signal significantly ?

All I run is boost pedals. 1 before the guitar is even plugged in, and 15 boost pedals after the guitar. I don't even have an amp.

Can also be used as “amp switcher”?

I love the clean boost before delay and reverb. Otherwise they are to pronounced

My face-style fuzzes don't take post-buffer placement as well as the one in your demo. Then again, none of mine are Keeleys. Pretty impressive how he made a fuzz face that doesn't sound like bean farts when it gets separation anxiety or the temperature drops below 68f.

Is it possible to have certain frequencies that still cause phase issues even if the two amps are in phase, particularly with high gain tones? Im running a dual amp setup, one real amp and one digital model on an hx stomp. Both are going into the stomp to use impulse responses. Im able to flip the phase in the hx stomp. If i check by having both run up the center you can still hear what seems to be phase issues. Then when you pan hard left and right it sounds good but still sounds like it maybe slightly out of phase.

When your ep3 booster goes into a really clean amp it doesn't do much but add some treble. in this situation that treble boost basically works like a 10 khz eq being turned up on a console/DAW. This will of course affect the sound of your fx. in mixing consoles it is akin to adding treble to the channel before the send OR after the fx on the bus.

I was hoping you were going to go more into the phase cancellation thing in this video. I have heard that some stereo pedals have one of the output signals phase-inverted (my ancient Ibanez digital chorus even labels the second output as “INV” instead of “B” or “Right”), but some stereo pedals do not invert the second output. But I’d like to know the “why”. Why do some pedals invert the phase of one channel, if it makes summing a problem? Conversely, why don’t all stereo pedals have an inverted second channel if there is some advantage or necessity to doing so? Also, questions like: If I run two stereo pedals that both invert the phase on the second channel, that should cancel the phase cancellation, so that they can be summed to mono without issue, no? So many questions.

Is this really such a big deal? Just use the reverb into only one of the amps. The whole point of stereo is to have something different happening on one side than what is happening on the other side. Reverb only going into one amp isn’t going to sound bad - it’s just like doing a wet dry setup - plus, with all the other effects going to both amps, it’s not like the amp not getting reverb is going to sound stark and dry. Personally, I would just put the reverb before the stereo effects though. I think it’s ridiculous that most people think you cannot put delay or reverb anywhere except last in your chain.

@goodwoodaudio i just bought one. I am curious if you could do a video explaining on the use of midi with multiple pedals connected? If there is only one Midi out on the switcher, how do you connect multiple pedals to receive the messages?? ANY info is greatly appreciated! 💙your channel so much!!

Flashbang background

Can it create a parallel signal path?

Boost at the end. No question. You already have your gain pedals set, if you're using more than one. If you're running clean, then yeah, guitar into boost.

Thanks, Grant! Great job! Excellent explanation!

Insane's a good word choice here.

My favourite go-to setup these days is using two amps, with different voicings, but not separated into a stereo field. So the two amps are either directly side by side, or even stacked one on the other. Then if I apply a mild panning between the two channels, there is a gentle modulation effect, but without the sea-sickening hard right/left thing of full stereo setups. My inspiration for this setup was stereo amps like Magnatones and also Leslie speakers, where the sounds are still coming from one central point rather than from two different corners of a room. Particularly for stereo Leslie effect pedals, I find putting the two amps side by side, and angled about 45 degrees away from each other, gives a more accurate representation of what a Leslie speaker does, throwing the sounds out from a single point into different directions in the room, rather than having the sounds coming at you from two different points in the room.

MIDI! Sweet! Any thought of extending that capability to an Audition v2?

❤❤❤❤

Wow Grant congrats, midi was the right move!

If my compressor is always on, do I have to take up one of the loops with the compressor... or can I simply go: guitar > tuner > compressor > Fender switcher (connected to 5 pedals)?

question how are you powering so many pedals? are you chain 2 power supplies together? if so how are you doing it, i’ve just run out of slots on my supply and i have more pedals and don’t know what to do

I would love to have this on my stereo bass setup.😎👍🏻

Now THIS is versatile!😳👍🏻👌🏻